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CLAR Fresnel lens Mount Pro – Update October 22 2019

Update October 22 2019

I wanted to update this post to say that I have been so impressed with the quality of light and the focusing ability of the lenticular lens on the CLAR that I only plan to purchase and use these over my other small Fresnel modifiers. The falloff of the lens is incredible. It exhibits the very same characteristics of a Fresnel yet seems more efficient. I have NOT run a side by side test but during a recent on location publicity session I could not have been more pleased with the results.

Fully flooded camera right behind me for this shot. About 10 feet from the talent.

Spotlight 3/4 focused camera right approximately 8 feet from the talent as he ran through the smoke. A coned 600 was behind the smoke to illuminate it for the shot.

Update September 15 2019

I was able to test this modifier on a dancer outdoors during very bright daylight hours. I will simply say that this modifier is as capable as any small Fresnel I own. I really love the quality of light it produces along with its focusing ability. Instead of having to carry several modifiers, I can just carry one. I have no fear of cracking the lens as I do with my glass Fresnel modifiers. I will now put this into my protocol when it’s the right tool for the right job. It’s a pure joy in high wind allowing me to focus or flood the beam of light.

My goal in this test was to determine if the modifier could be controlled to appear as my shots were not lit, but simply a natural light shot. I’m very pleased with the results of this modifier.

Canon 1DX 1/8000th f2.8 ISO 100

Canon 1DX 1/8000th f2.8 ISO 100

Canon 1DX 1/8000th f2.8 ISO 100. The CLAR is placed 45 degrees from Olivia about 8 feet, camera right.

It should be very apparent in the images above based on Olivia’s thick and naturally curly hair that the wind speed that day was approximately 12-15 MPH. The ability to use this modifier in moderate to high wind replaces my former beauty dish for high wind. It’s much more flexible with the ability to focus or flood the light.

Original Post September 9 2019

In the fully flooded position, 40 degrees

I was very intrigued when I received the CLAR Fresnel Lens Mount Pro unit. During my initial unboxing I ‘thought’ that this adjustable light modifier had a built in grid. But upon closer examination I discovered that the lens of the unit was unlike any lens modifier I own or have used. It is a lenticular lens and has 3200 tiny little dimples on the lens. I looked up the properties of a lenticular lens to better understand how it affects light.

The outer surface of the lens.

Looking from the inside out.

So as is my normal protocol I brought out poor Bob to test the light properties to determine how a lenticular light modifier compares to my tried and true Fresnel modifiers of about the same size. I found that they are very similar in light properties. The CLAR adjusts just like my other Fresnel modifiers from flood to spot light patterns.

CLAR in the fully flooded position.

CLAR in the fully focused position.

The quality of the CLAR’s construction is well done. The adjustment rotates easily and smoothly. The lens is molded plastic and I estimate around 0.25” in thickness. It is 5.5” in diameter.

Markings are well done.

Unit in fully focused position, 12 degrees.

Focus marking from 12 to 40 degrees.

The images which follow illustrate the physical differences between the other focusing Fresnel modifiers I use and own with the exception of my Mole Richardson Hollywood spotlight I’ve converted into a strobe.

My 7″ cone grids fit into the CLAR.

 

I will be testing this modifier on an upcoming practice dance session, but for now I’m very excited at the possibilities this new lens offers to my lighting arsenal. Stay tuned….

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