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Tag : Pentax 645Z

19 Oct 2017

Using xPLOR600s and the right modifiers

One of my clients had a concept for their upcoming publicity campaign. He wanted the shots to all resemble the Dutch Master’s style of lighting. Not too difficult EXCEPT it involved 90 musicians with their instruments along with props that include table settings, flowers, wine…you get the picture, no pun intended.

Even though I’ve shot there many times from both the house and from the backstage vom it was always done under normal house/stage lighting. He felt that the Center’s lighting designer could recreate the lighting needed for the shot. When he sent me a photo of the lighting I thought “Oh gosh that’s not going to work well. I know his stage lighting person did his best, but he doesn’t really have the right instruments to obtain the light they’re looking for.”

And photos never come with a back story. So if the light is not right no one is ever going to think “Gosh Mark must have been dealing with someone else’s lighting, that’s why the shot looks that way…” LOL yeah right it’s up to me to make sure the light looks right! After all it’s my shot!

So I decided to take four xPLOR600s, rent stands locally and fly the modifiers in checked baggage I felt I would need to do the job. Since I’d have to side light all of the musicians and keep the lights out of frame I knew I would need two modifiers that would evenly spread light, one that could throw light a long distance with pinpoint accuracy and one that would throw light a long distance, yet provide an even spread of light.

The two PCB Omni reflectors would do the job for an even light spread for the musicians closest to the strobes. One Bowens 12.5″ High Performance Reflector with Parabolic Design would throw the light over the Omnis and not bleed more light where I didn’t want it. And finally the PCB Retro Laser (sadly no longer available…) which can be focused, would throw light the furthest distance from where the strobes were placed applying light on the musicians on the right hand side of the stage with pinpoint accuracy. (Stage left/House right in stage terms) Be aware that with the exception of the Bowens reflector I have modified all PCB modifiers to Bowens mounts.

I had 45 minutes to set up the lights, determine which elevation and distance was the best and balance the lights. My partner and I communicated via cell phones/Bluetooth headsets so she could do the fine placement adjustments as I took test shots before the talent was led onto the stage. The Marketing VP was communicating with his stage manager to tell her if people needed to move slightly to avoid being in another person’s shadow or the shadow of a prop.

I was using a Medium Format Camera for this shot which was placed about 250 feet from the stage. I controlled the xPLOR600s using an XT-32C controller mounted on my Pentax 645Z. I had zero issues with transmission from the controller to any of the strobes. I was shooting tethered and the client was sitting next to me as I shot to review the images in real time. Their new CEO was also next to me and I asked her to press the shutter so she could say ‘she took the cover shot’ LOL!!!!

Using battery powered xPLOR600s was a pure godsend. The power they produced overpowered the stage lighting as I knew they would. The ability to move the lights around without concern for a power plug is epic! And even though I used the lights all day they never even came close to running out of power. But my camera went through two….

Most people don’t realize just how powerful strobes are compared to constant light. The Marketing VP commented that he could not believe I was overpowering their 5000 watt stage lights. LOL, a simple method to help him understand was to divide 5000 by 125, my shutter speed which yields 40 watt seconds of light. I was shooting the strobes at 1/8th to ¼ power which is much more bright than the stage lighting.

PCB Retro Laser (discontinued)

PCB Omni Reflector

Bowens reflector

Stage lit with stage/theatre lighting. You can see my two strobes on stage using two Omni reflectors with xPLOR600s. On the left hand side on the second tier you can barely see my Bowens long throw and Retro Laser modifiers that shoot across the orchestra to illuminate the far right musicians.

Balancing the light before the talent arrives.

Shot as it looks out of camera. (not the actual shot they will use)

Shot with post processing applied to make it look more ‘painterly’ (not the actual shot they will use)

10 Jul 2017

2017-18 Season Brochures

My clients have released their season brochures so I can now share the final results along with a short BTS video of the Hillbarn session. All of the images were shot using the Flashpoint Xplor 600 and Evolv 200 line of strobes using various modifiers and gels. All shot with a Pentax 645Z utilizing a 45-85mm MF lens.

Hillbarn Theatre

Brochure Cover

One Xplor600 and one Evolv200 used in this shot.

Second curtain sync used with the Xplor 600. Two light shot.

Five light shot with various gels. Smoke machine used for atmosphere.

Village Theatre

 

24 Jan 2015

Imagination and Improvisation – How to REALLY Improve Your Photography

This small tutorial has little to nothing to do about camera gear. I’m on a bit of a rant these days about photo forums. The inane banter that goes on there does little to help photographers who wish to improve their craft. In most cases I find the loudmouths are have to be right trolls and there simply to be….right. At least in their own minds.

For seven years I taught men and women how to navigate their motorcycles around California racetracks. I’d hear similar things like “Oh if I buy these pipes/Powercommander/520 chain/blah blah blah it will make me faster.” Invariably those same individuals would leverage their credit cards to buy the latest titanium bits to lighten their bikes. Did their lap times fall….uh not much if at all and why? Because they’d rather BUY and brag about their gear than learn and practice. How about getting in better cardio shape and losing 15 pounds instead of spending thousands on titanium parts to save 5 pounds of sprung weight? How about listening and implementing what your instructor/coach is telling you instead of justifying why your BIKE is holding you down? Oh well….

So if you’re looking for the latest MTF chart or DxO results here, do yourself a favor and close this browser window now. Occasionally I may mention the type of camera I was using and WHY, but beyond that this article is all about improving your imagination and ability to improvise at will. And in my work, that’s what separates the men from the boys. (No offense to women, you often already practice those qualities…but like most things there are exceptions!) There’s a big difference between TAKING or CREATING a photo…

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22 Dec 2014

Pentax 645Z Review – Updated May 5 2014

UPDATE: May 5 2014

I wanted to post some commercial shots I’ve completed and I am able to release with the 645Z to date. My experience with the camera is quite positive. The responsiveness of the focusing is very good. Even though the focus points are clustered near the center having a variety allows me to compose in camera without focusing and then recomposing. The lack of leaf shutters is a complete non issue in studio where I control ambient as well as the strobes. The files of course are simply luscious. I have no complaints whatsoever and am using legacy lenses for all of my work with the 645Z. It’s so interesting now when I use something other than the Z, my clients all whisper, “Why aren’t you using the new camera? We LOVE the files! Have we fallen out of favor with you or something?” LOL

_PEN3488

Original shot pre graphics application

MFL

My Fair Lady publicity shot reversed to accommodate graphics.

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