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Tag : Parabolix 35 Deep Package

05 Sep 2017

Why I use: xPLOR/Cheetahstand/Parabolix/Cononmark/etc

UPDATE December 9 2017

I recently conducted a two day session using two eVOLV200S mounted to an AD-B2 unit shot through a Cheetahstand Quick strip box. The strobes were used as second key lights combined with my xPLOR600 with remote head shot through a CononMark 120CM focusing octa modifier. The units performed well and the stopping power of the units is excellent. I shot all sessions using a Pentax 645Z whose sync speed is limited to 1/125th of a second. During jumping action shots the strobes froze the action of the talent jumping. I’m continually pleased with the performance of both the eVOLV and xPLOR  units. It should also be noted that I was able to complete two full days of shooting without charging either the eVOLV or xPLOR units.

The two eVOLV200s in the AD-B2 can be seen behind the Cheetahstand Quick Strip box in the center of the seamless.

Full body shot of the talent as she performed a leap into the air.

Full crop of the necklace to illustrate the stopping power of the strobes.UPDATE October 20 2017

My client has incorporated some of my publicity imagery into their marketing campaign.

UPDATE October 12 2017

In my review of Cheetahstand’s Quick Stripbox and Lantern I have shown my lighting setups for a different dance troupe. You can view that post here.

UPDATE October 2 2017

I have written a post about a dance session I conducted that uses these items. You can view that post here.

UPDATE September 8 2017

In my post about the Parabolix 35D I have some of my recent client work which was just released.

UPDATE September 7 2017

I wanted to illustrate how I add lights during the session below.

First I see how I want the exposure using the Cheetahstand lantern as my overhead light.

A reluctant assistant stands in while I balance the overhead light. I find that the lantern is much more to my taste for an overhead light.

Then I add the rim lights using the new gridded Cheetahstand Quick Strip Boxes. I am only using the inner diffusion panels.

At this point I add my key light the Parabolix Deep 35 in its mid focused position.

And finally I move my camera right gridded rim light to illuminate her downstage leg to my taste while using the Parabolix in its fully focused position to capture her face.

Original Post

I want to make this simple. The ONLY reason I use a piece of gear is because I have found a piece of gear which works for me. I have long given up on most review sites with the exception of three I trust. I do listen to other pros I know personally if they find pieces of gear that work for them. It doesn’t mean those items will work the same for me, or vice versa. I am LOYAL to companies that service/warranty/customer service the products they carry with integrity.

I was recently hired to create some promotional imagery for a dance troupe. They have an upcoming performance this Fall and wanted me to create some marketing imagery. For this particular shoot I am not tied to an NDA so I am able to use some of the images and BTS shots I created, providing I don’t mention the troupe’s name. This posting is part review, part explanation as to why I choose what I choose for my work.

Cheetahstand

I often chuckle when I hear/read folks discount or complain about items “Made in China.” Sure I would love to purchase items made in the USA or specifically California, but this is a century which is global where items are made everywhere. Apparently innovation is now global….. (LOL) I remember the day people use to tease me that “Made in Japan” meant the items were ‘cheap’ and poorly made. Well guess fucking what? Times have changed….

Cheetah 12″x55″ Quick StripBox 

Well made, easy as pie to erect (versus put together), wonderful light, what’s not to love?

I HATE putting together softboxes, HATE IT. So when I read that Edward had designed and manufactured a ‘quick’ softbox I was skeptical. You see I have used Westcott’s Rapid Box line and although they are fine, I never really like the design. So I ordered one of his Quick Stripboxes and was duly impressed when it arrived. I especially like how he includes a fabric grid with his products. The mechanism that expands the four captured rods is genius. And the material he uses is of good quality.

You can see the Cheetah 12″x55″ Quick Strip Box in the background. The lantern is on a boom and I’m using an old PCB umbrella to control spill. My Parabolix Deep 35 was my key light.

The pair of Cheetah 12″x55″ Quick Strip Boxes in use. Those are symphonic musicians and a composer….Hahahahaha

Lit with only two Cheetah 12″x55″ Quick Strip Boxes.

Cheetah 26″ Quick Lantern 

I only wish I used a lantern earlier!

It’s no secret that one of my favorite lighting techniques is rim or back lighting the talent. Normally I’ve used gridded strip boxes, but when I happened upon the Cheetah 26″ Quick Lantern I thought it may solve one of the issues I have with strip box overhead lighting. By using an orb the light would be more evenly distributed on my subjects. Photographing dancers often means they MOVE around and are often out of the sweet spot of a strip light. The light produced by the Cheetah 26″ Quick Lantern is smooth and more natural looking for my work. To keep the unit’s light from spilling onto the background I cut an old PCB umbrella and use it to drape over the lantern. When I want to direct light other than straight down, I simply use some wooden clothespins to roll the material up to expose the lantern. Works great! Oh and assembly of the lantern is so easy. Love omnidirectional light when needed.

Cheetah 26″ Quick Lantern and two strip boxes used.

Cheetah 26″ Quick Lantern as the key light for this shot. The even light distribution is what I love about his orb!

This illustrates how I’m using the Cheetah 26″ Quick Lantern.

Cheetah 26″ Quick Lantern as my key light and two strip boxes.

Parabolix 35 Deep Package 

So well designed and manufactured. Beautiful light.

On a different post on my site I’ve done an initial review of the Parabolix Deep 35. I was not yet able to display any photos due to NDAs, but am able to do so here. I will simply repeat that the modifier is very well made and the focusing arm and pivot is top notch. The light produced is wonderful. Is it three times better than my CononMark 120? For me not three times better, yet it is wonderful.

Flashpoint Portable 1200ws Extension Head used in a gobo head. Parabolix used as a fill light fully focused. Rear light is a coned xPLOR600.

Flashpoint Portable 1200ws Extension Head used in a gobo head. Parabolix used as a fill light fully focused. Rear light is a coned xPLOR600.

Parabolix used as a key light fully focused. Lantern overhead and both gridded strip boxes used as perimeter lights.

My point to this post is I’m not influenced by brands or theoretical ‘views’ by other ‘photographers’ who love to spew out their views without any imagery. I try to find what works best for me and presents a good value. I value my freedom above all else.

Three of my fellow pro shooters are sponsored by photographic house hold names. In each case when I’ve said “Hey have you tried XYZ’s new lens/strobe/etc?” they respond with “Ugh I can’t because having agreed to be sponsored by ABC Company means I can’t use XYZ’s stuff.” I get it though; getting expensive gear for free is cool. But for me the freedom to use what works for me, means a ton more than free gear.

In the end it’s what I produce that’s more important than what brand of this and that I use. If people believe that a specific brand or model of anything is going to make their work better, then they need a reality check. HOW YOU USE any tool and HOW YOU USE YOUR IMAGINATION are the most valuable assets you can own.

And since I just received an email from a client I consider quite a hard ass who SELDOM hands out ANY compliments which said, “You my talented bad ass brother…is the man…” after viewing some of the shots, I’ll stick to my own methodology.