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Tag : Flashpoint eVolv 200

14 Jun 2017

Behind the glitz

The 5th’s PR person sent me this photo via text with the note, “There’s no hazard pay for this.” They’re use to me doing what I need to do to ‘get the shot.’ LOL!!!!

For five years I have photographed 5th Avenue Theatre’s High School Musical Awards. Teens from all over are invited to this event and the sheer volume of thousands of teenagers in one building rivals a SpaceX takeoff! Most of the workers wear earplugs…and I’m not joking. My partner is assigned to photograph the event from inside of the house, while I’m assigned the backstage area….my favorite.

Before becoming a full time pro shooter I got into this whole thing to chronicle my daughter’s work as a stage crew member in high school. I had little money while raising two kids, so I went onto eBay and bought myself a Casio point and shoot. As I wandered around the backstage area I came to appreciate the work and passion the ‘crew’ has for putting together a production. Those jobs are far from the glamor of the footlights and follow spots. So because of that I have a real soft spot for the crew and those who make it possible for the talent in front of the curtain to pursue their passions.

The energy and excitement behind the scenes is infectious. I’ve been honored and blessed to be able to move around freely backstage. So many of the people who work BTS I now know having worked with each of them on different shows. One of the most moving things that happened to me that night was when David said to me in such a sincere and warm way “Mark, thank you so much for doing this for us.” I simply said “You’re welcome” but thought to myself that I should be thanking him for being instrumental in my ability to know all of these folks.

So here are some of my favorite photos from backstage during the 2017 HSMA’s. The two shots, one of the group and one of the young man who played in the Music Man were portraits I just had to create backstage. I had brought my one strobe to use prior to the event and at the end of the event. I just HAD to use it to light these kids for a portrait. I know all of the kids who attend the 5th’s HSMA will carry these wonderful memories for the rest of their lives. I know I will too.

For both of these portraits I told the kids “No smiling! Give me ATTITUDE like you give your folks! LOL! And you can tell them when they see the shots the photographer told you to do that.”

Canon 1DX II, Adorama Evolv 200 using the bare bulb attachment. PCB 51″ soft silver modifier.

Canon 1DX II, Adorama Evolv 200 using the bare bulb attachment. PCB 51″ soft silver modifier.

28 May 2017

Review: Adorama’s Flashpoint eVOLV 200 TTL HSS

UPDATE: June 14 2017

I was recently hired to do a shoot of backstage activities for one of my regular clients. I had taken one light to conduct a shot at the end of the performance onstage. While in the backstage area two subjects were just too tempting to light for an impromptu portrait. One of a young man dressed as the Music Man and the other was a dance troupe. So using one Evolv 200 and a PCB soft silver umbrella I created the portraits below. I should mention that I used the bare bulb head for both of these images.

UPDATE: May 29 2017

This update has nothing to do with the light produced by the Evolv 200 strobe. Nope. It has everything to do with its size. This Memorial Day weekend I was hired by my client to photograph a world class conductor, Jaap Van Zweden at the Dallas Symphony. It was to be a very quick trip, fly into town and arrive at 3:30 (scheduled, but due to weather it arrived an hour late) and fly out at noon the next day. Most non pros have this fantasy that us ‘pros’ have everything perfect for our shoots. HA! So what I had to anticipate was a possible late flight (which happened), long lines at the car rental counter (yes to that too), you name it. It’s frickin Memorial Day weekend! In the morning just before flying out I was scheduled to do some portraits so that meant I needed strobes and modifiers. In addition to all that I had to rent a Aquatech Sound Blimp for my noisy as hell 1DX Mark II. You see shooting from the back of the stage, covered in all black means that I cannot make ANY SOUND the Maestro will hear….NOTHING. Have you ever used a sound blimp? I didn’t think so. They are BIG, HEAVY AND DAMN HARD TO MANEUVER! Plus they take up a ton of storage space. I could not risk a tight time frame to/from the airport with a lot of luggage so my only choice was to pack as efficiently as possible….and the Evolv200’s fit that bill.

You can see the size of the sound blimp next to my 1DXII. It’s massive!

What the interior of this monster looks like. Remember it has to deaden the sound of a 1DX! As reference it makes a 5DMIII sound loud when in silent mode.

With both heads removed from the Evolv200 units I could fit both inside the sound blimp along with their Fresnel heads! EPIC!!!!

Since I was using one of the Evolvs as a rim light and the other as my key light I opted to store the bare bulb head in the blimp and carry the Fresnel head in my jacket pocket. The bare bulb was used in a GlowPop octa.

My vantage point from where I shot. Try standing for 45 minutes in the first movement and 1 hour for the second movement in a 2/3 foot space. Ah the glamorous pro life! All to get the ‘shots’.

I got the types of shots the client wanted of the Maestro.

So the fact that these little powerful units can pack so small is yet another reason I LOVE THEM!. And the portraits came out great….but NDAs mean I cannot show them right now.

UPDATE: April 26 2017

Today I ran into my first hiccup with these lights. It has to do with the barn doors. I love the build of the included barn doors but have noticed that the magnets which hold the gels onto the units are not all securely glued/fastened into the barn door unit. On both sets one or two of the magnets dislodged from the barn door assembly. Nothing a little glue can’t fix, but the manufacturer may want to do some QA on the units. Other than that though these strobes and their accessories are the bomb. I would never have imagined I would utilize the Fresnel head/barn doors as much as I have. Those two units allow me to NOT use cones for hair/rim lights.

Upon removing one of the gels this is how the magnets had attached themselves to the gel holder.

You can see the corresponding holes where the magnets had dislodged from the barn doors.

UPDATE: April 18 2017

Today I used the eVOLV 200 for a client’s publicity session where I am not bound by an NDA. I utilized the unit as a hair/rim light using the Fresnel head/barn doors/grid on a boom arm. My key light was an Xplor 600 shot through an Elinchrom Rotalux modifier all shot with my Pentax 645Z. I normally use an Xplor 600 attached to a Flashpoint extension coned head as a rim light/hair light, but found that using the eVOLV with the barn doors and grid is an excellent alternative. 

The eVOLV is truly remarkable and I would have never thought of using the Fresnel head, but it is perfect as a hair/rim light.

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