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Tag : Christy Martin

09 Dec 2016

Living Eulogy – Christy Martin

Throughout my life other men I’ve known often talk about “The Unicorn” which in my circles means a woman who like the mythical horned creature exists only in fantasy. Too good to be true, too wonderful for reality yet an entity we all wish and hope is true.

Goofing off at Graffiti Town in Dallas, TX between shots

Three years ago I was hired by a ballet company in Dallas, TX to create some promotional imagery for their troupe. It was at that time I met Christy. A bubbly positive young lady who like her fellow dancers is incredibly athletic and talented. I’m fortunate to meet so many talented artists and at first Christy fell right into that category to which I’ve become so accustomed. And believe me, I know I live a charmed and blessed life.

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22 Sep 2016

Adorama’s Flashpoint XPLOR 600 TTL Review

UPDATE: July 29 2017

I have written an article about how I achieved using the Xplor/Godox 600 and 200 strobes in HSS with my Pentax 645Z. You can read that article here.

UPDATE July 17 2017

I recently wrote an article about using all of my Xplor/Godox lights in one shoot including the eVOLV200s. You can view that post here.

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I’m an early adopter on lighting gear. Always have been. And like all early adopters I run into the quirks and problems associated with early development of gear. I always test gear before I use it commercially, but sometimes my testing is not exhaustive enough to anticipate every situation. And as any working pro knows, something ALWAYS goes wrong on every shoot no matter how much you plan. It’s just part of the deal.

I was one of the first adopters of PCB’s Einstein 640ws strobes. Excellent t1 performance in a small package was enough for me. I’ve used Einsteins for over 7 years exclusively in studio from the time they were released. When Adorama released their Flashpoint 600ws Rovelight I was intrigued. Rather than having to haul an Einstein and a Vagabond II, the CyberSync triggers on location the Rovelights have a built in battery and receiver. So I bought several, tested them and took them out on a commercial shoot. I ran into issues during that shoot with the trigger’s lack of range. I wrote an extensive evaluation of them and complained with others to Adorama. An friend of mine (NASA!) who is an electrical engineer dismantled the transmitter and showed me the issue which caused the poor range. In the end I sadly returned all of my Rovelights to Adorama. Subsequent to the trigger issues Adorama had them redesigned and developed a RMA program to replace the original triggers to early adopters. As a working pro warranties and customer service are key. It’s one of the reasons I stayed with PCB for so long, excellent customer service. The fact that Adorama took the initiative to replace triggers is one of the reasons I respect them. I respect those that DO much more than those that SAY.

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20 Sep 2016

It’s Personal

This post is about the people rather than the picture. Sure I’m a professional photographer and make my entire living shooting for clients, so of course I have to produce imagery! But the primary reason I chose to do this for a living is to meet interesting and authentic people.

Unlike work for clients, my personal work gives me complete freedom to art direct and create imagery that fits my vision. When shooting for clients those images must fit what they have as a vision for their product. My ability to season the mood of their images depends on each individual client. Some allow me more input than others, but by continuing to do personal projects it keeps me fresh with new ideas and concepts. After 39 years of being a ‘corporate suit’ this is the vocation I chose to do for the remainder of my working days. So I keep my creative mind fresh by continuing to create personal work. The day I find that the artistic satisfaction has left me and it’s ‘just a job’ I just won’t do this anymore. Clients automatically benefit because the ideas I try in my personal work often get used in my professional work. A win/win if you ask me….

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17 Mar 2016

Review – CononMark  Indirect Deep Parabolic Softbox 120cm

UPDATE 10-18-16

Here are two images taken with the CononMark as the key light.

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UPDATE 10-3-16

You can see some of the results from a recent studio dance session using the CononMark here.

UPDATE 3-1-16

CononMark was used as the key light in this studio ballet session. Strobe was the Godox AD600 using a H600 remote head.

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BTS shot. Dancers l-r; Emily Dixon, Christy Martin, Natalie Anton, Kaitlyn McDermitt.

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Dancer: Emily Dixon Colorado Ballet

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Dancer: Kaitlyn McDermitt Avant Chamber Ballet

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Dancer: Natalie Anton Avant Chamber Ballet

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26 Jul 2015

On Location with Avant Chamber Ballet

In May 2015 I was asked to photograph the Avant Chamber Ballet in Dallas, TX. ACB is the only truly Dallas based chamber ballet. Their Artistic Director, Katie Cooper resides in Dallas and has turned the ballet community on its ear with her innovative and critically acclaimed ballet creations. Katie Puder (Cooper) danced for years with Arlington’s well-respected Metropolitan Classical Ballet. One of the many aspects which sets ACB above other dance companies is their use of live world class orchestra musicians in their performances. Many are working musicians with the Dallas Symphony Orchestra, which is a double plus. We work regularly with them on both production and publicity imagery for their marketing campaigns.

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