UPDATE: June 14 2017
I was recently hired to do a shoot of backstage activities for one of my regular clients. I had taken one light to conduct a shot at the end of the performance onstage. While in the backstage area two subjects were just too tempting to light for an impromptu portrait. One of a young man dressed as the Music Man and the other was a dance troupe. So using one Evolv 200 and a PCB soft silver umbrella I created the portraits below. I should mention that I used the bare bulb head for both of these images.
UPDATE: May 29 2017
This update has nothing to do with the light produced by the Evolv 200 strobe. Nope. It has everything to do with its size. This Memorial Day weekend I was hired by my client to photograph a world class conductor, Jaap Van Zweden at the Dallas Symphony. It was to be a very quick trip, fly into town and arrive at 3:30 (scheduled, but due to weather it arrived an hour late) and fly out at noon the next day. Most non pros have this fantasy that us ‘pros’ have everything perfect for our shoots. HA! So what I had to anticipate was a possible late flight (which happened), long lines at the car rental counter (yes to that too), you name it. It’s frickin Memorial Day weekend! In the morning just before flying out I was scheduled to do some portraits so that meant I needed strobes and modifiers. In addition to all that I had to rent a Aquatech Sound Blimp for my noisy as hell 1DX Mark II. You see shooting from the back of the stage, covered in all black means that I cannot make ANY SOUND the Maestro will hear….NOTHING. Have you ever used a sound blimp? I didn’t think so. They are BIG, HEAVY AND DAMN HARD TO MANEUVER! Plus they take up a ton of storage space. I could not risk a tight time frame to/from the airport with a lot of luggage so my only choice was to pack as efficiently as possible….and the Evolv200’s fit that bill.
So the fact that these little powerful units can pack so small is yet another reason I LOVE THEM!. And the portraits came out great….but NDAs mean I cannot show them right now.
UPDATE: April 26 2017
Today I ran into my first hiccup with these lights. It has to do with the barn doors. I love the build of the included barn doors but have noticed that the magnets which hold the gels onto the units are not all securely glued/fastened into the barn door unit. On both sets one or two of the magnets dislodged from the barn door assembly. Nothing a little glue can’t fix, but the manufacturer may want to do some QA on the units. Other than that though these strobes and their accessories are the bomb. I would never have imagined I would utilize the Fresnel head/barn doors as much as I have. Those two units allow me to NOT use cones for hair/rim lights.
UPDATE: April 18 2017
Today I used the eVOLV 200 for a client’s publicity session where I am not bound by an NDA. I utilized the unit as a hair/rim light using the Fresnel head/barn doors/grid on a boom arm. My key light was an Xplor 600 shot through an Elinchrom Rotalux modifier all shot with my Pentax 645Z. I normally use an Xplor 600 attached to a Flashpoint extension coned head as a rim light/hair light, but found that using the eVOLV with the barn doors and grid is an excellent alternative.