Serendipity

I cannot recall any photographer who entered the profession before enjoying the craft as a hobby. I am certainly no different. But as a commercial photographer I’ve come to realize how important personal work is in order to maintain one’s perspective in the world of imagery.

I am fortunate to have clients who allow my views to season the concepts for which they hire me to shoot. Yet in order to maintain my own creativity personal work is vital. This musing is not just about the photographic process, but about how life plays an important role in how I arrive at the personal projects I undertake.

The imagery I present in this musing were taken today, December 1, 2011 yet my journey to this moment started years ago. And for those of you who like to ‘jump ahead’ I am NOT referring to the years it took me to make an image. No, instead I wanted to give an abbreviated summary of how I arrived at today.

Back in 2005 I met the parent of one of my daughter’s friends, Leigh Toldi – a fine art painter. Over time we forged a friendship sharing a mutual bond of raising teenage children. As the years passed and our children became adults we maintained our friendship which transitioned from parenting to art. Leigh taught me much about texture and keeping an open mind as I began my focused journey in photography. As I moved into the world of commercial photography I still maintained my personal blog, yet have a limited amount of time to capture personal work. Leigh continues to visit my personal site, yet only comments on my personal work, even though I find myself posting some commercial stuff there simply to have new content. I always appreciate her private notes to me when one of those pieces strike her fancy.

Last year during a dinner party she held at her home I was introduced to Rob Browne, the sculptor who appears in this musing. Rob and I began talking about sculpture, photography and art in general. Later he contacted me about a potential joint project. After he had visited a local performance gym he was motivated to sculpt an aerialist, but wanted to know if I would be interested in photographing the art form so that he could have reference materials from which to work. I agreed, but due to scheduling conflicts we were never able to make a connection with the performing artist.

Then during a commercial assignment I was hired to photograph a performance by a silk aerialist, Bianca Sapetto. After capturing her performance I knew immediately that the subject Rob and I had discussed had appeared before me, completely by chance.  Through my partner Tracy we contacted Bianca and asked if we could meet her for tea to discuss a project. On a sunny San Francisco afternoon, we met at the Ferry Building and presented our idea. During our discussion we learned that Bianca had begun her journey to her art form in an old grove of oak trees in Topanga Canyon. Once her performance schedule was completed, we agreed to meet her in Los Angeles and do an on location shoot of her in Topanga Canyon where she began her aerial art. The form you see Rob sculpting is one of the images taken of Bianca in Topanga Canyon.  Our plan is to chronicle the creation of Rob’s sculpture of her until completion.

What is most important about this musing is not the sculpture or the photography, but the journey which led me here. I am blessed to lead a life where I am surrounded by creative individuals from many different art forms, music, performance, dance and fine art. Having had a lifetime of experience in the corporate world, it’s cathartic to now travel through a world where contrived hierarchy is replaced by authentic collaboration, where profit is replaced by the pursuit of expression. Certainly there are the realities of mortgages, utilities and food, but when profit is not the ‘end game’ the fabric of my life has changed. Today three statements stay with me each day – 1. “Mark a whole world happens out there while we sit in our offices that we’ll never be a part of.” - Ron a former boss 2. ”People don’t get into the arts to make money, they are there because they love the expression.” - Melissa WolfKlain  3.“Son, no one will give you anything, so do what you love. I’m just hoping it’s engineering!” - My father

So what I’ve found late in life is this, by letting go serendipity found me. I sincerely hope that it finds you.

To be continued….

Progress on the project as of December 9 2011. Rob adds detail and depth to the sculpture by working by a single light at night. In this manner he is able to easily see the texture he adds layer by layer.

Working by a single light source

A juxtapose of concentration and freedom.

And the form begins to take shape

 

 

Ageless

So much of what exists today is virtual, our senses confined to what we see on a screen, experience only with our fingertips or hear through headphones. I certainly never discount the intelligence and effort that goes into developing an ‘app’ or an electronic piece of hardware. To dismiss the abilities that go into how we interact with our new modern world would be hypocritical of me, as I use technology in both my personal and professional life. Yet I still long for what I consider the truly tangible, those items that exude old world craftsmanship.

As has become a fortunate habit in my life an individual I meet leads to another and yet another. Such is the case with this Musing. Years ago while photographing a theatrical performance I wandered down to the orchestra pit to photograph the musicians who are seldom seen during a performance. There was a woman whose pure musical passion was evident as she tuned her instrument; the cello. I snapped a few images of her and through those simple images we became friends. Kris is a remarkable artist and I often fantasize about falling into deep slumber while listening to the sounds of her cello.

Recently Kris posted some images on her Facebook page (technology I enjoy!) her latest ten string cello in the various stages of construction. I was immediately intrigued by the process documented in those photographs. Curled shavings of wood, the face of her cello prior to being attached to the rest and I knew that I wanted to photograph the maker during his process. So Kris arranged for both Tracy and me to meet with Fred Carlson, luthier of “Beyond the Trees.”

After meeting Fred and his wife Suzy who makes handmade violins I was immediately motivated to ask if we could embark on a joint project, to document in photographs and words one instrument from its conception to birth. Fred conveyed to us that an instrument can take up to 1,000 hours to construct and the project may take up to a year to complete. Each element is hand formed and many of his construction tools are handmade as well.

I have a great respect for those who make items with their hands and minds working with materials that are grown from the ground and in this case make sounds that take my mind and imagination to places it has never ventured. I certainly never want craftsmen like Fred to vanish from this life, for they remind us that life is much more than a backlit screen or the swipe of a finger. What he provides all of us is a vital link to the type of craftsmanship we should never forsake.

Sleepless Nights

Throughout my life I can count on one hand times when I have been unable to sleep soundly through the night. I almost immediately start to snore as soon as my head hits the pillow. Those close to me often marvel at my ability to sleep anywhere, on a plane, bus, train, noisy street, literally anywhere and at almost any time. My two adult children wait in horror at movies, elbows at the ready to strike simply because I miss the first ten minutes of any movie simply because I fall asleep and begin to snore.

Those nights where I lay sleepless are vivid in my memory. Barring my nights when infant children needed to be tended to, they include the death of our first son, born stillborn. A small hole in his amniotic sack allowed fluid to drain preventing his lungs from fully developing. The first week when my wife and I decided to separate and I moved into a new house away from what I knew as ‘my family’ home. The guilt and doubt haunted me preventing me from my normal escape into peaceful slumber. When I was 21 and my father was in the hospital for the 29th day and I feared that he would die and I would not be at his side. My fears proved true as I received a call early in the morning to tell me he had passed away in the night. And finally a period of time when my female boss was harassing me so vigorously that I had to file a harassment claim against her which the company eventually found to be valid.

Yet tonight is completely different. I lay awake not due to any series of or single event which causes me anxiety or pain. Instead I lay awake simply because I am excited, but not for any other reason than being excited about my life. Like most adults I have for many years pursued careers which provided fiscal security for myself and my family. We all encourage our children to build their lives around what they truly want to do, yet we give them mixed signals about our parental ‘approval’ about appropriate career choices. I laughed one day when I heard an Asian comedian say “All Asian parents encourage their children to pursue the arts UNTIL they actually want to pursue the arts for a living!” My parents pushed me toward more ‘prestigious and practical’ pursuits; engineering, math, science and business. Some career where I could make a ‘good living’ for myself and my eventual family. I now understand their motivation for me toward those goals, yet I never found true personal satisfaction in those choices no matter how large my direct deposits.

Today as a commercial photographer life is completely different. I am not confined to a Monday through Friday 8:00 AM to 5:00 PM job, weekly management meetings, PowerPoint presentations and annual reviews. So many times I recall longing for the weekend to arrive and reveled in three day weekends. My boss often denied vacation time and her performance reviews were based upon her last and most recent negative memory. In stark contrast my life now consists of working whenever a client needs the type of imagery I can produce along with a work ethic that doesn’t fit the normal ‘artist’ stereotype. I work with people who are truly collaborative, who enjoy the arts even when that means their bank accounts don’t maintain four figures on a monthly basis not including the decimal points. My ‘annual review’ has turned into a daily review since a photographer is only as good as his or her last shoot. There are certainly downsides to this life, but those pitfalls are far less than what I’ve experienced in the corporate world. Creativity is TRULY encouraged and rewarded, what more can anyone ask?

So tonight as I lay sleepless it is because I have two remarkable adult children, I’m healthy, I have a comfortable roof over my head, a woman who loves and supports me, a community of likeminded individuals  and a career I simply adore. Over the past ten years there have been countless people who have both supported and helped me in this endeavor, something I can only repay by returning those favors in kind to others.

For those few who have wondered why I have neglected these Musing pages for so long, it’s simply because I didn’t feel I had anything important to say. Tonight is different and now I’m sure I’ll be able to sleep soundly while keeping my partner awake with my snoring. May each of us be so blessed as to have a life which we enjoy. Good night.

When What Is, Is Not

Photography is an interesting pursuit. Many people I know appreciate the hobby of photography for the pure joy of expression. Today the results are instantaneous, as the digital world has given us the convenience of the speed of light at our fingertips. “Back in the day” as so many are fond of saying, photography required a certain measure of patience. The time from the shutter snap to holding one’s results in their hand involved days, not nano seconds. I recall times when an entire roll of 36 exposures yielded only one image that I could recognize.

The intent of this Musing is not to become nostalgic or melancholy over the days of film. Hardly. I have only a hobbyist interest in dabbling in film again and only for my personal work. In my experience and observations I have come to realize that in the professional world, what is most important is not what is most important as viewed through the lens.

A while back I happened upon an article written by Ken Rockwell entitled, “How to Go Pro.” After reading Mr. Rockwell’s article, I felt that although it contained a bit of pessimism, in concept and reality I agreed with his views. And after having experience as a ‘pro’ I have found that the elements which most affect my ability to make a living through photography has very little to do with an image, hence my thought, “When what is, is not.” Now don’t get me wrong, when one is getting paid to produce an image, or series of images, there is a baseline which must be met. A certain level of quality and knowledge is necessary otherwise, the client becomes “one in a row” since they will seldom return to your door to give you another assignment.

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The Art of Fortune

I started this blog to express my own feelings and emotions through photography. I wrote regularly on this blog to send my thoughts out to what I considered an “anonymous” world. Street shooting has been my passion and continues to hold my attention. But something happened along the way; my time has been occupied with the demands of my professional work, primarily working with those involved in the arts.

As all of us know “arts” is a subject that is always the first to go in our schools. It is often viewed as an unnecessary subject, easily replaced and in some ways “frivolous” to other more important subjects. I am priviledged to witness the effect of “frivolous” art on a regular basis. From BBoy to the San Francisco Ballet to a Nationally Acclaimed theatre company to musicians and those who are destined to become legendary. So many schools talk of sports and the need to keep young people off the streets.  This is just as true for the arts, where individuals who may not ‘fit in’ find a voice through music or dance.

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