My partner and I went back and forth for quite some time about whether or not we wanted to invest in a long or short term lease on a studio. In the Bay Area real estate is very pricey, much more so than other areas of the country. But that is not the primary reason we opted to NOT put our money into a studio. I think there are photographers who can easily justify a studio which includes much more than just the rent. Sure it would be so much more convenient for me to have a studio instead of lugging gear and assistants to and from locations. But, and this is a BIG BUT for me, I would get bored, completely and utterly in about 2 shoots. Why? I bore easily and shooting against seamless or bringing in props, constantly building sets, etc. would drive me to the point that I may decide to return to a corporate job! (No way really…)
For me the world is the best studio, the absolute best for my work. But sometimes for a variety of reasons my clients cannot arrange to shoot on location so I shoot in rented studios or spaces which are convenient to the client. Flying the talent in, housing them, using Union makeup/hair/wig/prop you name it staff is expensive. Transporting them to a studio far away is inconvenient to many clients. You’d be shocked at how some of the ‘studios’ I work in are crazy cramped or awful from a shooter’s standpoint. But a big part of being a pro is working with what you got.
But there are times when a client wants ‘more’ than just seamless but doesn’t have the budget to house or transport all of the talent to the perfect location. So a rented studio for the day or week, or better yet a warehouse is what I use. This is where light/atmosphere and theatrical type modifiers like gobos can make a scene more effective. Whenever people ask how I create different looks in studio I just say, “Watch movies, look at the light/environment and figure out how to make the scene you’re watching. Imagination is insanely more powerful than any new camera gear. And simply having an idea is not good enough. You need to actually make it happen.”
Recently a client ‘wanted’ to do their publicity shoot on location, but since scheduling of the talent and the availability of the venue didn’t jibe we shot in studio, a rented warehouse. By using atmosphere and special light modifiers the client was pleased.
The whole point of this posting is to help you decide if a studio is something you ‘have to have.’ In my case it is not simply because the type of work I do constantly demands new looks and feelings for my client base. Every shooter has different needs and there are no ‘right or wrong’ answers.
Every morning I go out to my patio to turn on the water feature because the hummingbirds like it. They drink and bathe in it very often. On the ground I see a small “something” and just then a hummingbird flies around the ‘thing‘ and I see that it’s a baby male! My gf comes out, picks him up and warms him with her hands. And just after I take a few ‘portraits’ of him, he flies away. Making a normal morning something very special!
UPDATE August 14 2017
I am honored to have been a finalist in this contest. I’m most proud to have been able to tell my family’s story.
A long time friend sent me a text message with this photo attached:
He suggested I enter this contest not for the money, but to express how I view Japanese American Culture. I thought about it for a week and then decided to enter. I feel so proud to be Japanese American, as a race we have endured much. Japanese Nationals feel that if ‘we’ had been successful in Japan there would never have been a need to move to the US. People here didn’t trust us upon our arrival. And the United States sent American Citizens of Japanese decent to Internment Camps during WWII “For our own protection.” Which was such utter fucking BULLSHIT!
Actual Posters from the 1945 era:
The official US Notices
Here are my submissions and the stories behind the imagery I created.
“The real reason you can’t quit Facebook? Maybe it’s because you can judge your friends.” You can read the article here.
UPDATE 6-6-17 “It’s far easier to unleash a half-truth than it is to correct it.”
Today I read an interesting article by Christie Aschwanden about her experience leaving social media. Her views very much mirror my own with the exception that I have not returned to the FB rabbit hole. Her article is well worth a read.
Original Blog Post
Back in mid-October 2016 just before the Presidential election the mood of Facebook along with the country took an ugly turn. People overtly and covertly began to show bigotry toward me as well as others. For me Facebook has never been a vehicle for real change, although there are some things like helping individuals that work through social media. I found that Facebook made me ‘feel’ as if I ‘may’ be doing ‘something’ but in reality it was just masturbation. The good of keeping ‘in touch’ with people who had moved away or people I had not seen in many years was a positive part of the social media giant, but for me nothing of substance was there. It was a time burner. In May I had a stroke after my mother died in April and when the doctor told me to quit smoking or I’d risk a stroke that could leave me paralyzed on one side of my body. So I quit…cold turkey. Had she said that I would die if I had another stroke, well I would have gladly kept smoking. The thought of being dependent on anyone, most of all my children or my partner was enough to convince me to quit. Even though I LOVED SMOKING. The positive result of my stroke is I found so many things trivial. I had found pettiness and trivial people and attitudes poor in the past but the stroke sharpened my keen sense of what is important to a new level.
One of the side results of using Facebook for a while was becoming accustomed to small ‘snippets’ of information, the thing I swore I’d never succumb to…the USA Today method of reading. Much like how news is presented to us in ‘new cycles’ newspapers often have very short and often unedited content. So in summary I wanted to return to the ‘old school ways’ in which I was raised. To meet with people in real life, to build physical things, to help those face to face and to greatly reduce my ‘screen time’ so that I didn’t become a drone who has a screen in front of my face more than I cared to admit. I no longer wanted to have convenience trump the effort it takes to have real life face to face relationships.
For my first week ‘without’ social media I found I missed it, yet it also showed me how dependent I had become on its use. Funny that smoking was much easier the first week to do without than Facebook. This showed me just how bad my habit had become. After about a month people asked about me through our business Facebook page which Tracy found a bit irritating. But those who really wanted to contact me did so the ‘old fashion’ way, through email or those who are personal friends through texting.
I ventured out to the Mohave Desert to do a photo shoot with Pato and Eva which took us a year to plan. I made friends in real life with five remarkable people who I never knew before. I started to build things again in real life. I began to read and write. And slowly but surely I began to become ‘old school’’ once more. Then tragedy struck….
The Oakland warehouse fire happened in a building called the ‘Ghost Ship.’ 36 individuals died in that fire one of which was Jenny Morris, a close friend of my son. Jenny was only 21 years old and her death affected me as if she was my own child. I cannot begin to fathom the sadness felt by her mother, father and brother. Like grief I have experienced in my life my sadness comes in waves, in ebbs and flows just like my son’s sadness. Grief is not linear in healing. My son and Jenny had broken up a year ago and had they still been dating I’m sure that he would have died in the fire as well. He would have done all he could to save Jenny and others at the cost of his own life. The thought and possibility of losing a child makes everything else pale in comparison.
So how I use Facebook will be different than before. I may or may not feel like posting photos here or “Liking” this or that. I will be more of a lurker and when the mood strikes me, leave again for a time. I found that my creative ideas and feelings were much stronger when I was not participating on Facebook and I cannot explain why, but it does not matter.
So what I can control and do in my real life that isn’t dependent on social media is to be kind to others, to help in a way that is meaningful. And I will follow the words of John F. Kennedy “Ask not what your country can do for you. Ask what you can do for your country.”
I ride my Haibike Sduro Fullnine RC almost every day. I don’t have a ‘daily commute’ so I ride for pleasure or for errands. That includes fire roads with steep hills, paved paths and street riding to do errands. Sometimes I need navigation to assist me so I use Google Maps which has a bicycle feature which takes me on routes I’ve never done in a car. Well Duh Mark of course since I’m on a bike. I searched long and hard for just the ‘right’ mounting unit for my cell phone (a Galaxy S7 Edge) to mount to my bike’s handlebar stem. You see I want my unit in the landscape position and most of the cell phone mounting solutions are for your handlebar and in the vertical position. I’m not using my phone for anything other than navigation on my bike. Here’s what I found is the best for my needs, a Sahara Sailor Phone Bike Mount. It fits perfectly on a head stem and holds a phone very securely. I highly recommend this unit.
I never mean to be an early adopter, but tend to be so with new strobes. Lighting is developing much more rapidly than cameras or lenses. But this is about a new passion of mine, riding my ebike, a Haibike Sduro Fullnine RC. Ebikes are new to the US and relatively unknown, yet are popular in Europe where using any type of bicycle for transportation is mainstream. I began my interest two years ago when I noticed a Kickstarter campaign for an eMTB called the Flx bike. At 1399.00 USD it was ‘affordable’ enough to interest me, yet since I had been burned by two crowd funding campaigns I was not excited enough to commit 1400 bucks with the chance I would not get shit. You should know that they have delivered on their product and many of their owners are thrilled with the product.
In the Fall of 2016 I was vacationing in one of my favorite locations, Avila Beach, CA. Across from my hotel is Pedego Avila Beach which is an electric bike dealership. Upon entering the store Glenn, the owner asked if I had ever ridden an ebike. When I replied “No” he said “Well we’re gonna change all of that..” and immediately put me on a Haibike hard tail mountain bike. Just outside of his storefront are two hills just like those in San Francisco. As soon as I began peddling up the hills I WAS SOLD. A mid drive, centrally mounted battery made the Haibike feel just like a normal bike, but with power that made me feel like Lance Armstrong with blood doping to the max! So I told myself that I would buy one right away.
Upon returning home to the Bay Area I found a local dealer, Motostrano in Redwood City. So I purchased my bike from Joe at Motostrano since he was running a killer sale in December. In March of 2017 I had saved enough money by quitting smoking that it paid for my Haibike Fullnine RC!
You can read all about ebikes online by searching along with all of the haters calling ebikes “Cheaters.” But just like all things such as ATM cards, snowboarding, digital cameras, chairlifts (yes there was a time when you had to WALK UP THE HILL to ski), ABS braking, etc. humans always resist what is ‘new’ and out of the ordinary. It’s really all about fear, fear of change fear of the unknown, fear of something new. So often it’s negative talk from those who feel they are the ‘purists’ like skiers who didn’t want to share the hill with new snowboarders, film photographers who felt and still feel digital photography lacks ‘soul’ or now mountain bikers who feel eMTBs are ‘cheaters’ and ‘bad for the trails.’ Hell I remember when Brownie Instamatic film cameras were shunned by ‘real photographers’ because the new little film cameras did everything for you including exposure! Hahahahaha. Fuck haters. They usually want to ‘keep’ their domain all to themselves and elite.
I love riding my ebike simply because it’s so much fun. I’ve raced motorcycles both on and off road all of my life. No my ebike does not have a throttle nor do I want it to have one. I have to pedal and I love that. So much so that I find excuses to ‘go somewhere’ or run an errand just to get on my ebike. Yes I’ve had a traditional mountain bike before, but rode it much less often than I do my eMTB.
I’ve given up trying to explain to people how it feels. In my crude manner I compare it to trying to explain to someone what a fantastic orgasm feels like. Go ahead; try to explain that, the FEELING of one. It’s the same about an ebike; the feeling is something that makes me smile every single time I ride. When I first got a digital camera off eBay I rediscovered the Bay Area by going to places with new eyes. On my ebike I ride to places I’ve been many times, but with a new outlook. I do Costco runs with my bike, I pack a dinner and go for a dinner ride with my girlfriend. I run errands like going to the bank, the hardware store, the donut shop on my ebike. It’s a complete joke and when my doctor asks “How often do you exercise?” and I have to remind myself that I do so every single day. I don’t think about riding 12-20 miles a day as exercise because like having a great orgasm it’s such a great feeling! (Not to worry, an orgasm is still better, but you get the point about having to feel something to KNOW)
Picking the right ebike is up to each individual. Renting one or several in your area or attending an ebike convention where you get to ride various models is the key. There are plenty of “Meet Ups” where people who love/own/are curious about ebikes gather just like photography meet ups. I’ve never been a ‘meet up’ kinda guy, but they are damn valuable for many people. I can simply say that I’ve never had anything in my life that is so much fun and enjoyable that I can do WHENEVER AND WHEREEVER I WANT TO DO SO. Not having to load my race bike on a truck or trailer, driving to the track, get fuel, etc. Sure those days were a complete blast, but the quiet joy of riding through neighborhoods, up in the hills, around town is so simple and sweet. One of the things I’ve missed about racing motorcycles is the ‘wrenching’ and although it’s on a MUCH more simple level with my ebike, it brings back some of that fun.
I don’t have a ‘commute’ per se since my job has odd hours and I often am on an airplane. But if I did have to commute and it was 10-20 miles each way I’d definitely use my ebike to go to and fro. Not showing up to work sweating because I’ve bucked a headwind or up hills to work is epic. More importantly, it’s just fun.
The questions I’m most often asked:
- Do you have to plug it in? – Yes to recharge the battery
- How far will a full charge allow you to go? – It depends, on High, into high wind or up steep hills maybe 20-30 miles. In Eco mode on flat ground probably 70 miles
- Does peddling recharge the battery? – No
- Do you need a license? – No
- Does it have a throttle? – No, not this one, but some ebikes do have a throttle.
- How long does it take to charge? – I’ve never drained mine completely so I cannot say. When my battery has been down to 30% it has taken about 1.2 hours to fully recharge.
- Where is the engine? – It’s attached to the crank on this model.
- Can you recharge the bike on solar power? – No
- Does the bike come with a headlight and taillight? – No I installed those myself.
I have always believed that as a professional photographer I should always continue to pursue personal projects. Projects which have nothing to do with imagery I create commercially. I find that it helps expand my view of the world, beyond that which is just ‘pretty’ or pleasant to view. Gorgeous people in beautiful outfits are easy to shoot. I also believe that in our world of immediate gratification I needed to maintain projects which take time to develop and those which require collaboration.
In October 2015 I began a project titled “Our Perceptions, Ourselves.” A pictorial study about how each of us views our own appearance in contrast to how we are viewed by others. My thought was to try to find a forensic sketch artist who could draw a specific person and then have several different people describe that same person to the artist. I would then paint the actual subject’s face white and project each sketch onto their face and photograph them with each sketch. I thought it would be both unique and interesting by adding a third dimension to a 2D image even though I was converting it back to a 2D image. In addition it invests the subject in the drawn perceptions of how others view them. My plan is to have at least 12 individuals with three separate sketches, varying by age/race/gender.
March 7 2011 was the day I was laid off from my last corporate job. Unlike most of my colleagues who move to different companies, but remain within the same industry; I have been in a wide variety of industries. Law enforcement, security, retail, insurance, broking, energy, sales, marketing and finally software. My titles ranged from individual contributor to Senior Vice President, then COO of a Fortune 100 company. Company cars, paid monthly parking in downtown San Francisco, expense accounts first class travel you name it I had it. I was a suit…..
In December 2016 I was searching for a portable printer and discovered on Amazon a small printer called the PickIt. What attracted me beyond its size was that it used dye sublimation rather than ink jets to produce the image. In my former life I used dye sub to print marketing materials so I was impressed that such a small unit used the same technology.
On December 2, 2016 tragedy struck not only the Bay Area, but my family when the Ghost Ship warehouse fire in Oakland claimed the life of 36 young adults. One of them was Jenny Morris who just turned 21 and was the former girlfriend of my son. Jenny and my son dated for about 18 months, but had ended their relationship almost a year prior to the tragic fire. In many ways I feel blessed that my son did not perish in that fire. Had he and Jenny still been a couple I’m positive he would have been at the event and perished along with the other young adults.
Throughout my life other men I’ve known often talk about “The Unicorn” which in my circles means a woman who like the mythical horned creature exists only in fantasy. Too good to be true, too wonderful for reality yet an entity we all wish and hope is true.
Three years ago I was hired by a ballet company in Dallas, TX to create some promotional imagery for their troupe. It was at that time I met Christy. A bubbly positive young lady who like her fellow dancers is incredibly athletic and talented. I’m fortunate to meet so many talented artists and at first Christy fell right into that category to which I’ve become so accustomed. And believe me, I know I live a charmed and blessed life.
Gah! I’ve gone back and forth on which I’d buy if I was considering both. I have two AD360s and one AD600. All are the manual versions, as I don’t find TTL good for my work flow. And I should also state I don’t use speedlights of any brand or kind. I just find strobes better for my work. So I made a laundry lists of my personal likes and dislikes:
This morning I was reading the March 2016 edition of the Professional Photographer’s Association (PPA) magazine article on portraiture. Before I began I thought to myself “Oh just another article on technical aspect of portraiture, lighting, posing, etc….yawn….” But as I read the article my mind was completely changed about its intent;
“I didn’t understand until later that it is all about the connection you make with your subjects.” he says. “My father understood that, and that’s why he was so beloved. He got to know his subjects and made portraits that were about them, not just pictures of them. It’s all about the harmonic resonance that you set up between yourself and the subject you’re about the portray.” – Arthur Levi Rainville
…”For Rainville, portrait photography boils down to two key elements: the art and the heart” – Jeff Kent, PPA
How wonderful to read an article about portraiture which matches my own view. I have always believed that a portrait, a great one, is a conspiracy between three people, the subject, the photographer and the viewer. I often see portraits that are technically very well done, but without any feeling. They are simply photographs of the person’s physical likeness, but contain nothing about the inner portion of the person. In my view the most important element.
And there are also photos I call ‘cheaters.’ These are the portraits of physically pretty women which primarily show them clad in skimpy outfits, revealing lots of tits and ass. Often they are shown with what they and the photographer feel are provocative expressions, which so often appear contrived or forced. Many people (especially men) feel it’s a great photo, but the reality is it’s much like having someone walk an American flag into a room to garner applause.
Yes light, pose, expression are all a large part of a great portrait. But those are simply the basics. All of those elements should accentuate the person’s soul, who they are in that moment and should never be the ‘star’ of the image. Technical knowledge and expertise is a given in portraiture. The part that is most critical to the image is to reveal who they are as people, their soul in the moment. Rainville’s style;
“To create a mansuesco portrait, Rainville schedules a planning session, during which he often spends more time with the client than during the actual portrait sitting.”
Sometimes the amount of time we have with the talent is limited to the time we have them in front of our lens. In those cases it’s up to me to research the person, to know what they like or what they don’t. Not in terms of photos, but in terms of life. And if nothing exists to research then my research must begin as soon as I meet the person. Engaging the person is more critical than snapping the shutter or figuring out the technical details of their shot. Those items should be second nature. By far the largest aspect of any portrait is trust. In the moments I have with anyone I must convey to them the fact that they can trust what I’m about to do. That their feelings are the most valuable elements in the session. What someone was born with from their parents has nothing to do with their portrait. It’s what they developed, who they are that separates a ‘nice’ portrait from a great portrait.
I study the work of Greg Heisler and Joey Lawrence because I feel their style of portraiture is something I strive to achieve one day. I strive to achieve a story in a single image whenever I embark on creating a portrait.
And if by chance you ever feel that as the photographer YOU are the most important person in the room, find another vocation. You simply don’t get it.
Gosh I guess it was about five years ago I was introduced to Savage as he likes to be called. I had done some work for Juan at Teatro ZinZanni who recommended me to Savage when he wanted to have his dance company photographed. Savage works for the Oakland School for the Arts and is also the Artistic Director for Savage Jazz Dance Company. When I first met Savage I was amused that he had a ring on every finger of both hands. Unlike me, he dresses well and is very fashionable. They were in rehearsal and so he pointed me to an adjacent room where the shoot was to take place.
I am in a dilemma. All over Facebook, the internet, really everywhere I am bombarded by ads about skin retouching software. And when I see other photographers who post images of women and in some cases men as well, the amount of retouching is so great that a person’s skin looks plastic. No pores are visible, teeth are ultra white, eyes have no veins. It makes me think of the old movie “The Stepford Wives.” Men had their wives murdered and replaced with women who looked the same, yet were ‘perfect’ in every way including skin, breast enlargements, butt lifts, you name it.
This is a new series I’ve started. I’ve often wondered why we reserve eulogies for when people die. I’ve attended far too many funeral services and wondered at each one, “Why do we wait’ to ‘tell’ the people in our lives why we adore them, funny stories known so often to only a handful of people?” It seems insane to me so I have decided to write about those I love or admire….while they are alive.
Tracy is my life partner, who also happens to be my business partner. Together we are simply known as “Mark & Tracy” the folks who take photos for different art agencies. Tracy is the ‘nice one’ the one who seldom has a harsh word to say about anyone, even the most vile people we know. Part of it is because she’s Canadian, they apologize for everything! When she first moved to California she would obey every single rule. It use to drive me nuts that she would not even cross the street on a green light if the pedestrian little man was red.
You may find this Musing ironic since I chose to include only a single portrait in this article about portraits.
I make my entire living photographing people. It’s what I love to do, because I love people. To date I estimate I’ve photographed over 1,000 faces of all ages and ethnicities. My preference is to photograph men simply because I find them more versatile in nature. What does that mean? I find that the majority of women only want a single dimension of their ‘appearance’ to be shot one way…for beauty. Men on the other hand are more open to be photographed as rugged, sad, angry or in a myriad of other ways besides ‘handsome.’
I has taken me a very long time to write this article. My goals for writing this was twofold. First to explain as clearly as I could the concept of white privilege without raising the immediate and understandable reaction from the Caucasian community “Oh here we go again, I’m certainly NOT one of those.” and to place on paper my feelings from long ago which still extend into today. It has always been on my mind, but was highlighted when I recently house sat for my cousin in Oahu. I grew up in Southern California both in Crenshaw and Orange County. After my grandfather, uncles and aunts got out of the WWII internment camps grandpa managed to save enough money to purchase an apartment complex in Crenshaw so he and all of his adult children could live safely as neighbors. This was after all of his property was taken from the family during the Japanese American internment.
Many of my younger friends are having children and quite a few of them are having daughters. I wanted to write my thoughts about raising my own daughter and offer my feelings about raising a little girl to become a strong woman.
My first child, a boy was stillborn. Late in the pregnancy a small tear in the amniotic sack proved fatal. Examining the ultrasound broke my heart. He had wedged himself into the part of the sack which contained the remaining fluid to survive. The pediatrician told us that there was a 50/50 chance of his survival, but as the final weeks approached it was apparent that he had died. We were devastated. My wife delivered our son and since we had not gone through any birthing classes I had no knowledge of what to expect. It was horrible. Once our son was delivered, he was placed in a stainless steel bowl covered with a towel. The doctor asked me if I wanted to see our son. As he lifted the towel to reveal a full formed infant, I broke down sobbing and tried to comfort both of us. Yet in the moment some things in life cannot be comforted. Only the mercy of time has that ability. Once I got home I threw out all of our stainless steel bowls and to this day I cannot bear the site of one.
Three January’s ago I got a call from my sister in LA to tell me that our Mom had a heart attack. Mom was 85 at the time and has always been healthy, active and mentally acute. She has lived on her own since 1976 when my father passed away at the age of 51. She loved golfing, dancing every Friday night, watched her diet and exercised daily. She loved showing me her weights by the fireplace and would brag about how many lifts she would do each day.
I flew down the next day and went to the hospital. Sis told me that Mom was in the kitchen and had just finished eating her Big Mac dinner (one of her few guilty pleasures) and had the heart attack, fell down hitting her head on the handle of the oven and went unconscious, for how long we don’t know. She awoke and saw that there was blood on the kitchen floor and her favorite sweater was covered in blood. So what did she do? Instead of pressing the Life Alert device we got for her four years earlier, she got a bucket, filled it with cold water, put her sweater into it (so it wouldn’t stain) and cleaned the floor. After that she changed into her PJs and went to bed. Keep in mind that my mother is such a neat freak that when I would get up in the night to pee I’d come back to a made bed. (Just kidding, but you get the idea!
The next morning she awoke and panicked because her pillow was covered in blood. So she called my sister and that’s when she went to the hospital. Of course Mom was upset with my sister for calling me because “It’s not serious, he doesn’t need to come all the way down here…
There are many times when we are thrown a ‘curve ball’ when it comes to professional sessions. Although I try to always come prepared for the unexpected, there are times when I haven’t anticipated every possible scenario which can occur. And besides, my loathing of lugging means I can’t carry every single piece of gear necessary for all occurrences. Such was the case this week during one of my client sessions.
During an arts festival one of my assignments was to do some editorial work of an artist in his warehouse/studio. No one could tell me about the space because at the very last minute the venue had to be changed for legal reasons. My assignment was strictly editorial in nature, no portraits just imagery that would capture his studio and the patrons visiting his exhibit. So I decided to only take two DSLRs and my trusty Fuji X100T along with some lenses of various focal lengths.