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Category : Reviews

06 Jul 2017

Aputure Fresnel Lens

My initial findings for the Aputure Fresnel Lens – July 6 2017

Because I work with so many theatrical stage lighting designers and bow to their artistry along with how COMPLEX their jobs become, I am very familiar with the Fresnel lens. It’s a staple of the constant light stage world and was very popular in the early Hollywood celebrity portrait days. Many shooters now love ‘soft light’ the softer the better in their minds. But the use of bare bulb lighting and Fresnel light is very powerful and effective to convey the right mood in a shot. So for a whopping $69.00 I decided to buy the Aputure Fresnel Lens off of Amazon.

An example of my use of bare bulb lighting.

The body of the modifier is made of fiberglass and is extremely sturdy. The Bowens mounts fit perfectly into all of my Bowens mount lights including Godox and Xplor units. The construction is very well executed. I appreciate the 7″ reflector around the lens which easily accepts the grids and barn doors I have for my other hard reflectors. If you don’t want the reflector it’s easy enough to unscrew from the housing.

A handy degree marking is built into the left side of the housing. Adjustment is easy and smooth by loosening a knob on the opposite side of the mount to slide the lens forward or backward. Extending the lens reduces the angle of light.

Looking ‘into’ the housing from the back of the unit.

The front view of the unit. Four hex screws hold the 7″ reflector to the unit.

One of the things I will find out in actual use is how much light bleed from the vents on the side of the housing cause. I believe that will depend on where/how the strobes are placed in relation to the subject. Since the unit is made to be used with all Bowens mount units the vents are placed to dissipate heat. I don’t imagine that the light bleed from the vents will affect my work unless I’m using the unit for an overhead light which may bleed onto any seamless I’m using. Time will tell and if that is the case I will simply use some Cinefoil to mask off any bleeding light. Stay tuned….

I wanted to determine how much light loss happens using this modifier compared to a bare bulb or 7″ cone. My little test was done outside in daylight. Using an Xplor 600 at maximum power (1:1), 20 feet from the wooden wall, measured with a Sekonic L-358 light meter, ISO 100, 100th of a second. My finding:

  • Bare Bulb: f9.0
  • 7 inch cone: f9.0
  • Aputure Fresnel: f8.0

The f8.0 was when the unit is set at the maximum spread of 42 degrees. Things change when I zoomed the Fresnel to the 15 degree mark which yields f9.0 at the same distance.

No strobe, shaded daylight illuminates the wooden wall as my control shot.

Fresnel set to 42 degrees, 20 feet from the wall.

Fresnel set to 15 degrees 20 feet from the wall.

Obviously I will be continuing to update this post when I use it on a commercial shoot. In September I have a dance session where I plan to use this unit along with a gobo strobe modifier. At this point I’m very pleased with the construction and operation of the unit. Stay tuned.

28 May 2017

Review: Adorama’s Flashpoint eVOLV 200 TTL HSS

UPDATE: July 29 2017

I have written an article about how I achieved using the Xplor/Godox 600 and 200 strobes in HSS with my Pentax 645Z. You can read that article here.

UPDATE July 17 2017

I recently wrote an article about using all of my Xplor/Godox lights in one shoot including the eVOLV200s. You can view that post here.

UPDATE July 13 2017

Over the next two days I will be shooting with the eVOLV units and wanted to see just how robust the umbrella holder is before taking it to a shoot. I was very skeptical before trying it that it could support anything other than a small umbrella. So as a test I used an 86″ PCB PLM soft silver umbrella with the eVOLV umbrella holder. I will now say I am confident that I can use this device indoors any time I want to use an umbrella. The PCB 86 is NOT light and the umbrella holder held it fine. No it’s not as secure as a regular screw down umbrella stem unit, but it’s darn good enough for most uses.

My PLM 86″ soft silver is the most massive umbrella I’ve ever used and throw incredible light. I use it whenever I need a huge modifier and I would not hesitate to use the eVOLV unit in studio with the PLM 86.

UPDATE July 10 2017

My client has released their season brochure where I exclusively utilized Flashpoint Xplor and Evolv strobes to create their imagery. You can view those final images and a short BTS video here.

UPDATE: July 7 2017

I had asked if anyone knew how the upcoming Flashpoint eVOLV Twin Head bracket attaches the eVOLV 200’s to the unit. Adorama sent me a photo of the rear of the product to show how they attach to the bracket. I’m very excited to use these units. It just gives even more flexibility to an exciting and wonderful eco system of strobes.

UPDATE: June 14 2017

I was recently hired to do a shoot of backstage activities for one of my regular clients. I had taken one light to conduct a shot at the end of the performance onstage. While in the backstage area two subjects were just too tempting to light for an impromptu portrait. One of a young man dressed as the Music Man and the other was a dance troupe. So using one Evolv 200 and a PCB soft silver umbrella I created the portraits below. I should mention that I used the bare bulb head for both of these images.

UPDATE: May 29 2017

This update has nothing to do with the light produced by the Evolv 200 strobe. Nope. It has everything to do with its size. This Memorial Day weekend I was hired by my client to photograph a world class conductor, Jaap Van Zweden at the Dallas Symphony. It was to be a very quick trip, fly into town and arrive at 3:30 (scheduled, but due to weather it arrived an hour late) and fly out at noon the next day. Most non pros have this fantasy that us ‘pros’ have everything perfect for our shoots. HA! So what I had to anticipate was a possible late flight (which happened), long lines at the car rental counter (yes to that too), you name it. It’s frickin Memorial Day weekend! In the morning just before flying out I was scheduled to do some portraits so that meant I needed strobes and modifiers. In addition to all that I had to rent a Aquatech Sound Blimp for my noisy as hell 1DX Mark II. You see shooting from the back of the stage, covered in all black means that I cannot make ANY SOUND the Maestro will hear….NOTHING. Have you ever used a sound blimp? I didn’t think so. They are BIG, HEAVY AND DAMN HARD TO MANEUVER! Plus they take up a ton of storage space. I could not risk a tight time frame to/from the airport with a lot of luggage so my only choice was to pack as efficiently as possible….and the Evolv200’s fit that bill.

You can see the size of the sound blimp next to my 1DXII. It’s massive!

What the interior of this monster looks like. Remember it has to deaden the sound of a 1DX! As reference it makes a 5DMIII sound loud when in silent mode.

With both heads removed from the Evolv200 units I could fit both inside the sound blimp along with their Fresnel heads! EPIC!!!!

Since I was using one of the Evolvs as a rim light and the other as my key light I opted to store the bare bulb head in the blimp and carry the Fresnel head in my jacket pocket. The bare bulb was used in a GlowPop octa.

My vantage point from where I shot. Try standing for 45 minutes in the first movement and 1 hour for the second movement in a 2/3 foot space. Ah the glamorous pro life! All to get the ‘shots’.

I got the types of shots the client wanted of the Maestro.

So the fact that these little powerful units can pack so small is yet another reason I LOVE THEM!. And the portraits came out great….but NDAs mean I cannot show them right now.

UPDATE: April 26 2017

Today I ran into my first hiccup with these lights. It has to do with the barn doors. I love the build of the included barn doors but have noticed that the magnets which hold the gels onto the units are not all securely glued/fastened into the barn door unit. On both sets one or two of the magnets dislodged from the barn door assembly. Nothing a little glue can’t fix, but the manufacturer may want to do some QA on the units. Other than that though these strobes and their accessories are the bomb. I would never have imagined I would utilize the Fresnel head/barn doors as much as I have. Those two units allow me to NOT use cones for hair/rim lights.

Upon removing one of the gels this is how the magnets had attached themselves to the gel holder.

You can see the corresponding holes where the magnets had dislodged from the barn doors.

UPDATE: April 18 2017

Today I used the eVOLV 200 for a client’s publicity session where I am not bound by an NDA. I utilized the unit as a hair/rim light using the Fresnel head/barn doors/grid on a boom arm. My key light was an Xplor 600 shot through an Elinchrom Rotalux modifier all shot with my Pentax 645Z. I normally use an Xplor 600 attached to a Flashpoint extension coned head as a rim light/hair light, but found that using the eVOLV with the barn doors and grid is an excellent alternative. 

The eVOLV is truly remarkable and I would have never thought of using the Fresnel head, but it is perfect as a hair/rim light.

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01 Apr 2017

Review Godox/Wistro AD600BM Strobe

UPDATE: July 29 2017

I have written an article about how I achieved using the Xplor/Godox 600 and 200 strobes in HSS with my Pentax 645Z. You can read that article here.

UPDATE July 17 2017

I recently wrote an article about using all of my Xplor/Godox lights in one shoot including the eVOLV200s. You can view that post here.

UPDATE JULY 10 2017

My client has released their season brochure where I exclusively utilized Flashpoint Xplor and Evolv strobes to create their imagery. You can view those final images and a short BTS video here.

UPDATE: May 4 2017

Back in January 2017 one of my clients spent two days with me to create publicity imagery for their 2017-18 Season Brochure. For many of my theatre clients season brochure imagery is one of the most important marketing instruments of the year. But like most I’m tied to NDAs and cannot display the imagery until much later. On top of all that Village Theatre agreed to take a chance and change their entire format for the brochure based upon the recommendation of myself and the graphics genius I’ve worked with for seven years. I like to change things about every three years, even IF the prior campaigns have been successful and since they just had their largest subscription year ever, making a change was risky. But we did and the results were met with overwhelming approval.

The entire session was shot with Xplor/Godox 600 lights/remote heads. This is a complete departure from using my beloved PCB Einsteins in the past. I have found the battery life, color temperature, t:1/t:5 performance equal to my former strobes. The innovation of Godox combined with the US service and warranty of Adorama makes a killer combination for my work.

BTS of the two day session:

Because I travel to this client I cannot take my 59″ Westcott Zeppelin, it’s just too large for airline regulations. But as you can see I utilized all Xplor/Godox lights running on battery power only for two days. All grip gear is rented, but the lights and modifiers are ones I bring from my home location.

The Xplor/Godox remote heads are incredible and allow so much flexibility. Here I’m using one with one of my favorite modifiers, the Cononmark 120cm.

I always shoot tethered. Here the Marketing Director/Talent, wardrobe and makeup staff are reviewing the shots between takes.

Final imagery with graphics applied:

Season Brochure Cover

UPDATE: April 18 2017

Today I conducted a client’s publicity shoot using the Xplor 600 combined with an eVOLV 200. The Xplor was used as a key light through an Elinchrom Rotalux modifier. The eVOLV 200 was used as my rim light with the Fresnel head/barn doors/grid on a boom arm. Wonderful combination! Camera was my Pentax 645Z.

Key light using the Xplor 600

The lights behind the backdrop are the makeup lights for the talent. They were turned off for the shoot.

One of the final publicity images.

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17 Dec 2016

Hotel Travel Review – Avila la Fonda

I have decided to add a small travel review section to my blog. I travel extensively for client work and sometimes find hidden nuggets on my journeys. I should say that when I was ‘a suit’ in the corporate world I was able to travel well, first class air travel (prior to 9/11 and when airlines served real food), hotels like The Plaza in NYC, the Hay Adams in Washington DC, the Hotel Del Coronado in San Diego, Hotel Utah in Salt Lake City, the list goes on and on. I listed some of the places I’ve stayed not to brag, but to give some reference to my point of reference. Staying on an expense account is very different than paying on my own dime.

The hotel all dolled up for the Holidays

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24 Mar 2016

AD360 or AD600?

600 v 360

Godox AD600 GodoxAD360

Gah! I’ve gone back and forth on which I’d buy if I was considering both. I have two AD360s and one AD600. All are the manual versions, as I don’t find TTL good for my work flow. And I should also state I don’t use speedlights of any brand or kind. I just find strobes better for my work. So I made a laundry lists of my personal likes and dislikes:

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20 Mar 2016

My Case for AD600s and AD360s

Someone wrote to me about how I carry/transport/check my lights so I thought I would just post a quick note about how I do it. I like to carry everything for lighting in one case. I currently only have one AD600, but plan to get one more along with one of Godox’s yet to be released remote head units. As you can see what I’m using allows me to expand to allow a few more pieces.

DSCF8846

The Pelican 1560 case with included dividers. The unit can be ordered from Amazon.

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17 Mar 2016

Review – CononMark  Indirect Deep Parabolic Softbox 120cm

UPDATE 10-18-16

Here are two images taken with the CononMark as the key light.

1m2_9016-edit 1m2_8824-edit

UPDATE 10-3-16

You can see some of the results from a recent studio dance session using the CononMark here.

UPDATE 3-1-16

CononMark was used as the key light in this studio ballet session. Strobe was the Godox AD600 using a H600 remote head.

01dx6655

BTS shot. Dancers l-r; Emily Dixon, Christy Martin, Natalie Anton, Kaitlyn McDermitt.

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Dancer: Emily Dixon Colorado Ballet

mkitaoka-160518-6535-edit-edit-edit

Dancer: Kaitlyn McDermitt Avant Chamber Ballet

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Dancer: Natalie Anton Avant Chamber Ballet

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15 Mar 2016

Quick Test – AD360 vs. AD600 vs. Einstein 640

A pro shooter friend of mine who I convinced into purchasing several AD360s wrote to me today asking if I had ever tested an AD360 against one of my Einsteins to test the power differences. He stated that in his test using wide hard modifiers from the same distance his results showed only a 1/2 stop difference. He was under the impression that there should be a 1.5 stop difference.

I never test these things, but since he’s a close friend I opted to try my own test. The only difference is I decided to NOT use a hard modifier because I don’t have any that fit all three that are the same shape/size. Plus I was not interested in testing the ‘max’ output of the units, only the differences. So I ran my test using all three bare bulb, no modifier at all. I placed each unit in my second bathroom which is small, about 8×10 feet. Pointed each bulb straight up and fired them at 1:1 power, maximum. I measured each unit’s output with a Sekonic L358 light meter set at 1/100th shutter speed, ISO 100. I pointed the meter at the opposing wall and fired each flash three times to ensure some consistency. Here are my results

ad

Godox AD360

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19 Jan 2016

REVIEW: Leatherman Tread – Updated January 19 2016

UPDATE: January 19 2016

One of the features I wanted to incorporate into the Tread was their watch which was to be released in January 2016. In checking their website their watch has been delayed at least three years. I found a solution to this issue by a company called Treadlinks in Canada. I recently purchased a mechanical watch by CountyComm called the Maratac 46mm Pilot which was on sale during this past holiday season for a reasonable 219.00. I have a Tissot titanium Quartz watch, but wanted a mechanical one so I ordered a 22mm pair of stainless steel Treadlinks for my Maratac Pilot. After receiving them today here are my initial impressions:

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29 Sep 2015

form function form

I tend to be the type of fella who keeps stuff. Not in the way you’d think of a hoarder (although my gf may beg to differ), but in terms of how long I use things I own. My last car was over 20 years old with just over 260,000 miles. I plan on keeping my current car at least that long which in my view means the rest of my natural life. I have the same pocket lighter I’ve had for 30 years. I carry a Don Maxwell handmade pocket knife I’ve owned for only 10 years, but it will be buried with me. I’ve kept my wristwatches until parts are no longer available to fix them. You get the point.

I appreciate hand crafted items, those that are made well and are supremely functional. And just like my taste in restaurants, I lean toward finding mom and pop gems, those establishments owned by a person, not stockholders because I find quality is more than just their latest PowerPoint Titling, it’s their passion.

DSCF7891

Shawn Reed’s business motto

25 years ago I wanted to begin carrying a wallet that held a pad of paper and a pen. There were times I wanted to leave a note for someone, or jot down some of my thoughts. The internet didn’t exist in my world (or many others) so it was old school researching for ‘something’ I had in my mind. I finally found just what I was looking for at Edward’s Luggage. A small leather wallet with a corresponding sized pad of paper along with an integrated pen holder made out of leather. I substituted the cheap pen which came with that wallet with a Fisher Space Pen. Since purchasing the item I have never been without it.

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19 Sep 2015

Adapting PCB Hard Modifiers to Accept Bowens S Mounts

For years I have used Paul Buff’s Einsteins almost exclusively for my strobe work. I still use them exclusively for all of my studio work as they are remarkable units. Combined with his CyberCommander and plug in triggers for the Steins they offer me the ability to control all but frequency settings right from my camera.

I recently purchased several new lights primarily for on location work. In the past I used the Steins combined with Vagabond Minis, but shooting action in high ambient light was beyond the capabilities of my beloved Steins. Godox AD360s allow HSS as does my Priolite MBX1000 Hotsync. Both of those units utilize Bowen S mounts for modifiiers.

Paul makes some of the best modifiers I have used, especially his hard modifiers like the Retro Laser Reflector, his 22″ Silver or White Beauty dishes, 11″ Long Throw Reflector, and my recently acquired Omni 18″ Reflector.

So when I wanted to use any of those modifiers with my Bowens mount lights I had to modify those units to use with my bare bulb or Priolite units. But I didn’t want to alter the modifiers permanently so I could still use them with the Steins.

So here’s how I managed to have my cake and eat it too…except for Paul’s 11″ Long Throw Reflector.  I could not figure out how to modify that unit and still have the ability to convert it back to fit the Steins. Heck I thought if I can convert a stage follow spot into a modifier that can accept an Einstein I should be able to do that! Nope… So I purchased a Bowens BW-1878 High Performance Reflector. Not quite as good as Paul’s 11″ Long Throw, but good enough.

So here’s what I’ve done:

This is what is needed for any of the conversions I have done, a simple Bowens S flange. They can be purchased online at several retailers.

This is what is needed for any of the conversions I have done, a simple Bowens S flange. They can be purchased online at several retailers.

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18 Sep 2015

REVIEW: PCB’s Omni 18″ Reflector

I am constantly on the search for new light modifiers, those that fill a specific need. Since I tend to shoot quite a few of my assignments on location I have long searched for an alternative to the beauty dish. Why a beauty dish? In light to moderate wind an umbrella acts much like an America’s Cup sail catching wind like there’s no tomorrow. Their shape is just conducive to collecting wind and as a result often topples a strobe and light stand. Sure sand bags or a voice activated light stand (human) can go a long way to preventing the ensuing damage, but there are times when I want or have to work alone. Even softboxes or octabanks can catch enough wind to pose a problem.

Priolite MBX1000 Hotsync with PCB's Omni 18" Reflector attached. Pentax 645Z 1/2500th f4.5 ISO 100

Priolite MBX1000 Hotsync at full power with PCB’s Omni 18″ Reflector attached. Pentax 645Z 1/2500th f4.5 ISO 100

 

Omni with 3 stop diffuser sock installed. Note: the included diffusion sock is large enough to fit a 22" beauty dish.

Omni with triple layer diffuser sock installed. NOTE: the included diffusion sock is large enough to fit a 22″ beauty dish.

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12 Jun 2015

Rovelight HSS and the Godox/Adorama Streaklight 360s

UPDATE 9-21-16 

Adorama’s Flashpoint XPLOR 600 TTL Review

UPDATE: June 22 2015

Sadly I can no longer recommend Adorama’s Rovelight. Click here for my reasons. I still highly recommend the Streaklight 360.

UPDATE June 16 2015

I had the opportunity to use both the Flashpoint 360 and Rovelight in combination today during an on location dance session. I again ran into inconsistent firing of the Rovelight with the CellsII-C HSS trigger. I have yet to determine the root cause of this inconsistent misfiring outdoors. In studio they perform better than outdoors even at moderate distances.

Streaklight 360 with a Bowens Maxlite 8" modifier.

Streaklight 360 with a Bowens Maxlite 8″ modifier.

Original Article

I recently had the opportunity to utilize a pair of Adorama Rovelights as well as a Godox AD360 and a Adorama Streaklight 360 bare bulb strobe on a commercial assignment. All four of the units are capable of High Speed Sync (HSS) when triggered by a CellsII-C trigger

My assignment was to create imagery of ballet dancers in and around the Dallas area. The art direction conveyed to me was to place the ballerinas in recognizable venues in the Dallas area. In order to achieve imagery with production value required me to shoot at higher than normal sync speeds to greatly reduce the ambient light. For all of these shots I utilized my Canon 5DIII rather than my 1DX to obtain the maximum resolution since the images will be used for posters with an option to create billboard size media materials. I would have liked to use my Pentax 645Z MF camera, but at that time HSS options were not available. As recently as June 10th 2015 I discovered a possible solution to the 645Z’s slow sync speed, but have not yet tested these units. Alex Munoz has done extensive testing on the Priolite strobes which seem very promising

One of the fantastic benefits of using Rovelights with the variety of 360 bare bulb flash units is the ability to use one triggering system, the CellsII-C. As illustrated in the photo below placing the Rovelight’s trigger on the hot shoe of the CellsII-C allows simultaneous triggering in HSS of both the Roves and the 360’s.

CellsII-C trigger which allows HSS with the Rovelight trigger attached to its hotshoe.

CellsII-C trigger which allows HSS with the Rovelight trigger attached to its hotshoe.

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29 Apr 2015

Review: Westcott Skylux

skylux

Westcott Skylux

Constant light was never something I gave much thought. I’ve been a strobe user most of my life because I like the power of studio strobes. I use PCB Einsteins for the lion’s share of my work. They’re portable and plug in power free when combined with PCB’s Vagabond Mini Lithium batteries. Yet there have been situations where the flash of a strobe was not practical. Why? For a couple of reasons. Sometimes even at 2.5WS they’re too bright for very dark venues where I want to maintain much of the ambient in the final photograph. (more…)

24 Apr 2015

Converting a Stage Follow Spot to Accept a Strobe

Why? My view is why not?! A few years ago a friend asked if I wanted an old Leko stage follow spot. Being a bit of a lighting pack rat I said “Sure!” I originally used it so I could apply light shaped with gobos in my still photography for dance. It also allowed me to create lovely rays of light using haze combined with different gobo shapes. In its original state the Leko was a 1000 watt constant tungsten light. Plenty powerful for stage applications, but completely overpowered whenever I used it in conjunction with my Einstein strobes. Even though the Steins can go as low as 2.5WS doing simple math shows you that at 1000 watts shot at 1/250th of a second yields about 4WS, not a ton of power.

DSCF5789

Leko follow spot modified to accept a PCB Einstein strobe

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23 Apr 2015

Rovelight with Bowens Maxlight 8″ 65 Degree Reflector

UPDATE 9-21-16 

Adorama’s Flashpoint XPLOR 600 TTL Review

UPDATE: June 22 2015

Sadly I can no longer recommend Adorama’s Rovelight. Click here for my reasons.

OCD, yup that’s me with light. This summer I have several outdoor dance shoots planned and in my normal way I’ve been obsessing about the light. The Rovelight was an answer to my prayers due to its HSS capabilities, portability and 600WS light output. But just the right modifier has escaped me up until today. I have been researching hard modifiers rather than octas, softboxes, umbrellas and such. You see where I shoot and what I love is wind. Moderate wind that makes hair blow back, wardrobe flow, all of those yummy facets in a photo that suits my shooting style. (Let’s not talk about my portable smoke machine, I don’t want to give any fire department fuel for my future trial…)

Bowens Maxlight reflector

Bowens Maxlite 8″ 65 degree reflector

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19 Apr 2015

REVIEW: Godox/Neewer AD360 300 WS Portable Bare Bulb Flash

UPDATE: 2-4-16

As I wait for the Godox AD600BM remote head I fabricated a focusing rod for my Westcott Zeppelins. The AD360 fills the modifier well.

DSCF8455

DIY focusing rod for a Westcott Zeppelin. The real beauty is the ability to use this with any 16 rod softbox.

UPDATE: 4-18-15

I know that the most popular use for the AD360s will be as key lights for portraits. But I was recently asked to do an environmental portrait of an owner/chef in his diner. The time of day was very specific and I could not pick what I thought was the optimum time of day to conduct the session. At the time of the shoot, the sun was almost directly overhead of his establishment and the table I wanted to shoot him at was shaded. So I opted to use one AD360 paired with a Westcott Rapidbox Octa 36″ shot through the window to recreate window light. Each of his windows have awnings over them which shaded the actual window light more.

Bill – Owner/Chef of Main Street Grill in Half Moon Bay, CA

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14 Apr 2015

AD 360 S DIY Mount Bracket diffuser

I love the portability of all of the recent bare bulb 360s no matter the brand be it Godox, Flashpoint or Cheetahstand. The power over speedlights, the even spread of a bare bulb and their HSS features all make these lights incredible for on location shoots. For more power I recently purchased a 600WS Flashpoint Rovelight that also features HSS for those times where my sessions take me outdoors for dance photography. You can read my impressions of the Rovelight’s HSS performance here.

My trusty Einsteins remain my studio lights of choice.

S mount parts. The center of the three square holes that is drilled through to the front just below the light mounting platform is where the Elinchrom rod/disk will reside.

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11 Apr 2015

Adorama Rovelight 600B HSS review

UPDATE 9-21-16 

Adorama’s Flashpoint XPLOR 600 TTL Review

UPDATE: June 22 2015

Sadly I can no longer recommend Adorama’s Rovelight. Click here for my reasons.

UPDATE June 12 2015: I have added more real world experience with the Rovelight’s HSS capabilities which can be found here.

Adorama’s Flashpoint Rovelight 600

I recently purchased the Rovelight and was able to utilize it today on an on location commercial shoot. I normally use PCB Einsteins combined with their Vagabond Mini system for portability. For in studio work, I use Enstein strobes exclusively. Because I will be doing on location commercial dance shoots this summer, I needed a system that would allow me to shoot fast action outdoors. Although the Einsteins have a fantastic IGBT and t:1 performance, when using them in situations where strong ambient light is present, their ability to freeze fast action is reduced.

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08 Apr 2015

REVIEW: Ricoh IMAGE Transmitter 2 Software

UPDATE April 7 2015

Ricoh recently released an update to Image Transmitter 2 which is now version 2.1.0. I had listed my frustrations with their prior version in my original letter to Ricoh below. In order to take advantage of the new version of IT2, you must update your 645Z’s firmware to version v.121 as well.

I just got done testing the new version and can report the following:

v2.1.0 works well and can be used with Adobe Lightroom v5.xx placing the images in a Watched Folder. None of the issues I sighted in my letter to Ricoh are present in the new version. I know that their update to Digital Camera Utility 5.3.1 now allows communication between IT2 and DCU, but I didn’t attempt to use DCU because my preference is to use Lightroom for my tethered capture.

I shot more than 100 images to see if there were any limitations on the number of images IT2 would display, but there were none. I will say that prior to the new IT2 release I had been using an Eye Fi Card sending small JPGs to my iPad through Shuttersnitch for wireless tethering. The transfer time is almost identical to that method even when sending PEF files to my laptop via a USB 3 cable. Since the time to transmit is the same I now plan on sending the PEF files to my laptop during client sessions. I will have an immediate double redundancy since the files will be on my laptop and on the SD cards. That’s always a great feeling.

I don’t believe transfer lag is due to anything other than the time the 645Z requires to process its images before sending them over a USB 3 connection or through a wireless ad hoc connection. It’s the same lag as waiting to view an image on the LCD screen after pressing the shutter. There is a noticeable delay. Much more so than my Canon 1DX or 5DIII.

IT2 v2.1.0 now works well with a PC. A side benefit is having a dual monitor setup. Wirelessly transmitting small JPG files to my iPad through Shuttersnitch while simultaneously sending full size PEF files to a laptop through IT2.

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